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Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoret...Lees meer
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the mu...Lees meer
The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place so...Lees meer
Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical music...Lees meer
The composer Elisabeth Lutyens and her second husband, the conductor and music programmer Edward Clark, were innovators in composition, conducting, pr...Lees meer
Mieczyslaw Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most ...Lees meer
Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forc...Lees meer
Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', repres...Lees meer
Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forc...Lees meer
Music played an essential part in raising the city of Venice and in founding the empire on which its fortunes would depend. This book focuses on a set...Lees meer
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the mu...Lees meer
Few composers have responded as powerfully to place as Frederick Delius (1862-1934). Born in Yorkshire, Delius resided in the United States, Germany, ...Lees meer
Presenting a fresh interpretation of Mozart's Requiem, Simon P. Keefe redresses a longstanding scholarly imbalance whereby narrow consideration of the...Lees meer
Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial c...Lees meer
The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric...Lees meer
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a mil...Lees meer
The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place so...Lees meer
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contex...Lees meer
The symphony has long been entangled with ideas of self and value. Though standard historical accounts suggest that composers' interest in the symphon...Lees meer
Mieczyslaw Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most ...Lees meer
Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoret...Lees meer
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a mil...Lees meer
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contex...Lees meer
Focusing on Clara Schumann's central contributions to the genre of the Lied (or German art song), this is the first book-length critical study of her ...Lees meer