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The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to la...Lees meer
In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erläuterungsausgabe) of Beetho...Lees meer
The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to la...Lees meer
In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces...Lees meer
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini's influence on British musical life through his mult...Lees meer
The founding in 1777 of the Journal de Paris , France's first daily and distinctly commercial paper, represents an early use of disinformation as a to...Lees meer
This monograph examines the place of repetition in perceived musical structure and in theories of music. Following a preface and introduction, there a...Lees meer
Johann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March 1781. History has credited Salomon with bringing Hay...Lees meer
Manuscript Florence, Biblioteca Nazionale Centrale, Magliabechiana XIX, 164-167 (FlorBN Magl. 164-7) has been the subject of considerable scholarly at...Lees meer
The Pre-history of 'The Midsummer Marriage' examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett's first mature oper...Lees meer
A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study...Lees meer
This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an ...Lees meer
The Pre-history of 'The Midsummer Marriage' examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett's first mature oper...Lees meer
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini's influence on British musical life through his mult...Lees meer
This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory...Lees meer
Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier ...Lees meer
L'incoronazione di Poppea is the most compelling of all early Italian operas and this has, in part, been responsible for the way in which it has becom...Lees meer
Luciano Berio's Sinfonia (1968) marked a return by the composer to orchestral writing after a gap of six years. This in-depth study demonstrates the c...Lees meer
Among the early works of Johannes Brahms are the neo-baroque Sarabande and Gavotte. These dances have not been properly recognised as constituting a d...Lees meer
This groundbreaking study casts Alexander Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoa...Lees meer
The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and p...Lees meer
The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades...Lees meer
The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades...Lees meer
This book tells three inter-related stories that radically alter our perspective on plainchant reform at the turn of the twentieth century and highlig...Lees meer