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As he grappled with the challenges of composing for various instrumental and vocal ensembles, William Byrd (c. 1540-1623), England's premier Renaissan...Lees meer
Essays in honour of Margaret Bent. The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical c...Lees meer
Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music w...Lees meer
As he grappled with the challenges of composing for various instrumental and vocal ensembles, William Byrd (c. 1540-1623), England's premier Renaissan...Lees meer
Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music w...Lees meer
Young singers played a central role in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and ...Lees meer
Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically invol...Lees meer
Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically invol...Lees meer
Medieval Iberian liturgical practice was independent of the Roman liturgy. As such, its sources preserve an unfamiliar and fascinating devotional jour...Lees meer
The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most importa...Lees meer
The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and perform...Lees meer
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European m...Lees meer
Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of...Lees meer
Guillaume de Machaut was the foremost poet-composer of his time. Studies look at all aspects of his prodigious output. Guillaume de Machaut (1300-1377...Lees meer
Focusing on the royal chapel established by Philip II in Madrid, the essays in this richly illustrated volume offer a series of different perspectives...Lees meer
Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Peñalosa at the Aragonese court in May 1498 marks something of an epoch i...Lees meer
How do text and melody relate in western liturgical chant? Is the music simply an abstract vehicle for the text, or does it articulate textual structu...Lees meer
This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws togeth...Lees meer
The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentiet...Lees meer
The presentation of Charles V as universal monarch, defender of the faith, magnanimous peacemaker, and reborn Roman Emperor became the mission of arti...Lees meer