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Two decades after its release, the Ol' Dirty Bastard's Return to the 36 Chambers: The Dirty Version is the rare hip-hop album that sounds as fresh and...Lees meer
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What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the...Lees meer
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33 1/3 is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an arti...Lees meer
An exploration of Radiohead's game-changing album. Rather than simply reinforcing Kid A's canonical status, it situates the album in the temporal, exa...Lees meer
By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak i...Lees meer
ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The ban...Lees meer
Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and c...Lees meer
It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions...Lees meer
So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician wh...Lees meer
In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark ...Lees meer
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A discussion of Tapestry as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries.Lees meer
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