ZGMTH - Zeitschrift der Gesellschaft für Musiktheorie. 18. Jahrgang, Sonderausgabe 2021

Historical, empirical and analytical approaches to performance strategies of musical cycles. Table of Contents Editorial Johann Sebastian Bach, 'Goldberg Variations' Majid Motavasseli: Interpretation of Cyclic Form in J. S. Bach's "Goldberg Variations" through Performance History Bruno Gingras: Using Linear Mixed-Effects Models to Analyze Historical Trends in Performance Strategies. Commentary on the Article "Interpretation of Cyclic Form in J.S. Bach's "Goldberg Variations" through Performance History" Michael Rector: Performing Structure. Tempo in Glenn Gould's "Goldberg Variations" Ludwig van Beethoven, 'Diabelli Variations' Tobias Janz: Anton Diabelli's Variations Project (1819 to 1824). Historicity and Aesthetic Normativity William Kinderman: The Performance of Beethoven's "Diabelli Variations": Continuity, Discontinuity, Cyclic Integration and Irony arkus Neuwirth: 'Eine halbe terra incognita': Zur frühen Aufführungs- und Rezeptionsgeschichte der 'Diabelli-Variationen' Cosima Linke: A discourse history of analyses of the 'Diabelli Variations' with a view to macroform and interpretation Thomas Glaser: Form design from a performance practice perspective: On the performance history of Beethoven's 33 changes on a waltz by A. Diabelli op. 120 Martin Zenck: Making cyclical potentials audible in musical interpretation: Eduard Steuermann's live recording of the 'Diabelli Variations' at the Juilliard School of Music in New York on 13 May 1963 Jakob Raab: Die schiefe Folie. Complexity between Metric and Performance in Beethoven's 'Diabelli Variations' Franz Schubert, Winterreise Natasha Loges: Breaking Epistemological Cycles. History, theory and performance in Schubert's Winterreise Thomas Seedorf/Marc Bangert: 'Sung by a man, it is such a completely different thing'. Schubert's Winterreise as interpreted by female singers Christian Utz: Eccentrically shaped soundscapes. Dimensions of the cyclical in the light of 106 sound recordings of Franz Schubert's Winterreise from the period 1928-2020 Kilian Sprau: Gemessenes Wandern. On the performative realisation of tempo-measure correspondences in Franz Schubert's Winterreise Bartolo Musil: Das Große und das Kleine. A few thoughts on the interpretation of Franz Schubert's Winterreise Julian Caskel: Response