Standaard Boekhandel gebruikt cookies en gelijkaardige technologieën om de website goed te laten werken en je een betere surfervaring te bezorgen.
Hieronder kan je kiezen welke cookies je wilt inschakelen:
Technische en functionele cookies
Deze cookies zijn essentieel om de website goed te laten functioneren, en laten je toe om bijvoorbeeld in te loggen. Je kan deze cookies niet uitschakelen.
Analytische cookies
Deze cookies verzamelen anonieme informatie over het gebruik van onze website. Op die manier kunnen we de website beter afstemmen op de behoeften van de gebruikers.
Marketingcookies
Deze cookies delen je gedrag op onze website met externe partijen, zodat je op externe platformen relevantere advertenties van Standaard Boekhandel te zien krijgt.
Je kan maximaal 250 producten tegelijk aan je winkelmandje toevoegen. Verwijdere enkele producten uit je winkelmandje, of splits je bestelling op in meerdere bestellingen.
This collective interdisciplinary work on the landscape art from prehistory to the present day is made up of fourteen essays presented in three thematic sections (« The Human Being and his Environment », « The Experience of the Imaginary », « Spaces and Artistic Confrontations »). It brings together contributions from thirteen international researchers and specialists, to decipher what was at stake in debates old and new, and analysing the mass of information available today regarding the polymorphic idea of the landscape. It aims to discern the approaches and the works, the concepts and the periods, the disciplines and the countries, the subjects and the designs, with the goal of presenting new insights. The chronological approach on which this is based hopefully brings an understanding of the extent of successive changes that, before and after Christianisation, affected the perception, the appropriation, the experience of the everyday and the representation of the landscape. The fourteen essays are organised by subject and by hierarchy allowing an understanding of their relationships to each other and to an enduring continuity. Each of them presents a study based on a specific case, chosen for its particular significance, and is completed with bibliographical notes to enhance the reader’s understanding.
Under the direction of Frank Claustrat (Associate Professor in Contemporary Art History, Paul-Valéry Montpellier III University) and Françoise Pellicer (Associate Professor in Modern Art History, Paul-Valéry Montpellier III University), members of the research unit CRISES (Montpellier, France).
Book published with the support of the Paul-Valéry Montpellier III University, the research unit CRISES, and the Hartung-Bergman Foundation, Antibes (France).