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Evoking the participatory art of Joseph Beuys, Tsabar's musical, felt-based sculptures are meant to be played by the audience
New York-based artist Naama Tsabar's (born 1982) multimedia work overcomes the boundaries of sculpture, music, performance and architecture. This monograph focuses on four bodies of work with wall and floor pieces that also function as musical instruments and can be activated by the audience.
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