Two tales of multiple misunderstanding by the eighteenth-century master of complex, witty comedies.
In the tightly-structured, erotically-charged fable The Triumph of Love, a young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dupe her enemies and persuade the rightful ruler to return. This faithful and vivid translation by Braham Muray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007.
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